Who Is Anthony Stephens?

The Life and Death of a College Grad


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Interview with Felicia Veicht: Part 4

25 June 2011

– It’s silly, I know, the connection I felt all these different events had.

– I do not support mystical viewpoints, so ideas of premonition and such do not hold with me. But every time I saw this man with the jacket and hat, I felt this dim sense of sobriety, almost as if I had been drunk with happiness, with normalcy, and this man had been sent to bring me back to the grim reality of life.

– He reminded me of death, of sadness, of rejection, which reminded me of Les Palmer’s paintings and drawings.

– The man held the same shade of mental darkness as Les’s work, vivid yet still unreal. Eerie.

– No matter how much I tried to shake the feeling during that period, every time I saw Cathy I had the feeling that her and her talented boyfriend had some sort of connection with that man outside. I had this nagging feeling that everything was connected, my feelings of sudden depression around this man outside, with his dark aura and sunglasses and brown sports jacket, coupled with the ever-present baggy, sleepless look in Cathy’s eyes whenever she came to the gallery and the overly nice, simmering spirit that was her boyfriend when he made his rare appearances.

– All connected. And I didn’t like it. Not one bit.


Interview with Catherine D’Amico: Part 15

26 June 2011

– Well, I had to tell him. Couldn’t just hide it, that would have made things worse later on.

– But see, while I was trying to figure out how to tell Tony I was pregnant, there was something going on in Tony’s head I didn’t know about either.

– He’d started acting really weird the closer it got to his showing. I mean, weirder than usual. Really paranoid. And after I found out I was pregnant—before I told him—he got downright crazy.

– Like, he’d be sitting there with me on the bed watching TV or something and I’d be racking my brain, telling myself to tell him now. Tell him your pregnant now. And it’d seem like he knew I had something to tell him, something he didn’t want to hear, because all of a sudden he’d hop up from the bed and say he changed his mind, he didn’t want to do the art show, he needed me to call my aunt and cancel it. Then, five minutes later, he’d change his mind again and ask me for reassurance, ask me if I really believed everything would be alright. It was so weird to see him like that, like one minute he’d have the resolve of Ghandhi and the next he’d be like a twelve year old foster kid.

– Well, like, one afternoon, about three days before the showing, we were getting ready to go get something to eat and he pulled the same stunt again. Just said, calmly and without any anger, that he wouldn’t be doing the showing anymore. It was about the fourth time he’d done that in as many days and, once again, right at that moment, I’d been about to tell him I was pregnant. It was the breaking point, you know?

– Too much pressure, I just snapped.

– I turned around and yelled at him to stop being a little bitch. That he was under contract with my aunt, that she had a lot of people coming out to this thing and he couldn’t back out, no matter how many times he changed his fucking mind, not if he ever wanted to sell so much as a scrap of paper with his name on it ever again. So stop bitching about it and pay attention to somebody besides yourself for once.

– I remember he looked at me so surprised, then his face got really dark and he started grinding his teeth. He always did that right before he went off. Only this time I beat him to the punch, just kept on ranting, let out all the animosity that had been building up in me. Told him I was tired of his crap, tired of this flip-flop thing he kept pulling with everything, told him I needed somebody stable, somebody willing to commit, somebody willing to be a father. And when he looked at me kind of confused, I yelled, “I’m pregnant you son of a bitch” [Cathy chuckles, her eyes gleaming] and immediately felt like shit so I ran out of his room and hopped in my car and left.

– Yeah, definitely not the way I wanted to tell him.

– I don’t really know exactly how you’re supposed to tell somebody like Tony something like that though.

– But that didn’t feel right. It felt shitty, actually. Really shitty.

– To my credit, I drove around until I cooled off and then went back to apologize. That was my intention at least.

– When I got there it had been about an hour since I stormed out, and I knocked on Tony’s room door but there was no answer. I waited outside that room in my car for most of the afternoon before giving up and going home. Tony never showed up.


Interview with Wayne “Classic” Price: Part 17

11 July 2011

– Day after Earl quit, he comes at me with this shit I’da never thought I’d hear from his ass.

– Walks straight up on me at the crib and he’s like Classic, I need a piece.

– A gun, son. And bruh, Earl ain’t never called me Classic in his life.

– Was like I wasn’t even looking at fam no mo’, son. Nigga was a G now, know what I’m sayin’?

– That’s how he ran up on me, like we wasn’t fam, like we was business partners and shit. When he said that, that he needed a piece, I was like, a piece a what? Pussy?

– I’d been waitin’ for that bruh. You gotta need some pussy bein’ locked up for long as that nigga was, son. I coulda got him some too, bruh, no problem.

– But naw. Earl ain’t want none a that. Earl looked at me like I was stupid when I said that shit, too, and I felt stupid ‘cause, ain’t yo younger cuz—the nigga you helped raise up out the hood—supposed to stay yo little cuz forever?

– Shit, Earl wasn’t nobody’s little nothin’ no mo’, son. I know what he needed the piece for too, and I wasn’t goin’ stop the nigga from gettin’ his.

– So I call up one a my associates and tell him ta give me something small, ‘cause I know what Earl need for what he after, know what I’m sayin’?

– Got it to him the next day and Earl lookin’ at it like it’s his ticket to heaven, bruh. I’m lookin’ at the nigga and he lookin’ at his new toy and I gotta ask him, bruh. I gotta ask, Earl, why you call me Classic yesterday? You ain’t never called me Classic in yo’ life.

– And Earl says to me, that’s what people’s call you. Classic. It’s what you wanna be called. Man got a right to be called what he want, be what he wanna be. Do what he wanna do.

– He said all that shit, then he raised the piece and pointed it at the wall and smiled. First time I seen Earl smile since I picked his ass up from the bus station too. Never forget it, nigga looked crazy as hell, son. Scary shit, for real.

– Yeah, I thought ‘bout stoppin’ him. While he was packin’ up his shit and tellin’ me what to tell his P.O. if the muhfucka called, all that shit. Stood by the door to the bathroom while he was shavin’ off his beard, cuttin’ his hair, and I tried to tell him to stop the shit.

– But, bruh, Earl looked happy, son. First time since I picked his ass up from the bus station. He’s droppin’ his hair in the sink, starin’ in the mirror, and his eyes ain’t all angry lookin’ like they been for weeks. They smilin’, son. They smilin’ and when he was done, he smiled at me for real. Smiled, and the nigga looked like Earl again, bruh. I couldn’t stop the nigga when he was like that.

– Earl said fuck ‘em, son, told me to tell his P.O. the truth. I remember that. Told me if his P.O. called, I should tell his ass Earl had some shit to take care of so he bounced and he ain’t comin’ back. And, yeah, bruh, I was thinkin’ I should stop the nigga then too, from violatin’ his parole, from leavin’ here. He fuckin’ things up for himself, know what I’m sayin’? He fam, Classic. That’s what I said to myself. He fam. Stop him.

– But I couldn’t, bruh. Couldn’t even tell the nigga it was a bad idea. ‘Cause, for real, how I’m s’posed to know it’s a bad idea?

– Bruh, can’t nobody know what the fuck Earl was going through but Earl, know what I’m sayin’?

– Me tellin’ the nigga he need to stay his ass in Queens, that’s like me tellin’ you, straight up, I know who you is, son. I been through the same shit you been through in yo’ life, and I’m tellin’ you you doin’ it wrong, ‘cause I know better than you ‘bout who you is, bruh, know what I’m sayin’?

– But I ain’t know what Earl been through. I ain’t know shit ‘bout what Earl had goin’ on up in his head. I ain’t know shit ‘bout what he had planned for Tony neither.

– So, yeah, I let his ass go. You could write that shit down, son. I gave my cuz a gun and let him violate parole and go off to take some nigga out ‘cause he been through some shit I can’t relate to, bruh. And how I’ma look telling a nigga not to do somethin’ I probably’d a done my damn self if I was in his position?

Click For Parts 102-106

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Written by patrickandersonjr

June 27, 2012 at 9:00 am

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